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    <title>Sustaining Craft - Episodes Tagged with “Ink Blots”</title>
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    <pubDate>Wed, 26 Sep 2018 22:00:00 -0400</pubDate>
    <description>Sustaining Craft started in 2016, when Elizabeth Silverstein, a writer, found herself discouraged after a move and a divorce. To find a little encouragement for herself and others, she decided to talk to people building businesses in creative fields.
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    <itunes:subtitle>The stories of those making a living with their art, craft, or passion.</itunes:subtitle>
    <itunes:author>Elizabeth Silverstein</itunes:author>
    <itunes:summary>Sustaining Craft started in 2016, when Elizabeth Silverstein, a writer, found herself discouraged after a move and a divorce. To find a little encouragement for herself and others, she decided to talk to people building businesses in creative fields.
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      <itunes:name>Elizabeth Silverstein</itunes:name>
      <itunes:email>hello@hewandweld.com</itunes:email>
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  <title>Episode 10: Diane Harper: Exposing Boogeymen with Ink Blots</title>
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  <pubDate>Wed, 26 Sep 2018 22:00:00 -0400</pubDate>
  <author>Elizabeth Silverstein</author>
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  <itunes:subtitle>Diane Harper was inspired by her military photographer father to go back to art school late in life after a successful social work career. Now, she continues social work part-time as she creates, shows, and sells her visual art.</itunes:subtitle>
  <itunes:duration>45:35</itunes:duration>
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  <description>Harper’s parents met while her father, Hal, was stationed overseas--her mother was French. They became a military family, with Harper the middle child of three. “I was a sick kid a lot and I grew up overseas in the military,” said Harper. “Just past toddler age in Berlin, when the Berlin wall was up, and things were pretty heated for the Cold War at the time. And I think my boogeyman was born in Berlin. Everything had barbed wire. There were armed guards everywhere, and so it was just kind of a terrifying place through a five-year-old’s eyes, but you don’t really have the vocabulary to deal with that. And then to be a sick kid in a military hospital with mostly adults around you, not a children’s hospital. It was kind of an unfriendly place. And there were noises at night and things like that, and my father was a police officer. so I knew there was danger and boogeyman out there but I didn’t have a vocabulary for it, so even as an adult I have a hard time coming up with that vocabulary, but I don’t have a hard time coming up with a visual vocabulary to describe it. And by allowing them to come to surface from my subconscious, it kind of allows me to embrace them in a different way as an adult and kind of be playful with them and be grateful that I had such a vivid imagination from the way we lived and grew up. I lived in the heart of fairy tales. We traveled in Bavaria and the Black Forest was around there, and the birthplace of Hansel and Gretel. And all of these kinds of bizarre folktales that we grew up with that were basically cautionary tales to children to mind their moms, but it was kind of a wonderful place.”
--
There are a few ways to find Diane's art in person: she'll be at Art on the Creeks in Rogers, Arkansas on Sept. 29; she'll have some work in the Fiber Arts Show on Nov. 2, and at the Gallery 26 Holiday Show. She also has a booth at South Main Creative. Special Guest: Diane Harper.
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  <itunes:keywords>visual artist, monsters, inkblots, fine art, arkansas artist, going back to school late in life, getting a degree at 50 years old, inspired by parents, starting a second career, starting a creative career</itunes:keywords>
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    <![CDATA[<p>Harper’s parents met while her father, Hal, was stationed overseas--her mother was French. They became a military family, with Harper the middle child of three. “I was a sick kid a lot and I grew up overseas in the military,” said Harper. “Just past toddler age in Berlin, when the Berlin wall was up, and things were pretty heated for the Cold War at the time. And I think my boogeyman was born in Berlin. Everything had barbed wire. There were armed guards everywhere, and so it was just kind of a terrifying place through a five-year-old’s eyes, but you don’t really have the vocabulary to deal with that. And then to be a sick kid in a military hospital with mostly adults around you, not a children’s hospital. It was kind of an unfriendly place. And there were noises at night and things like that, and my father was a police officer. so I knew there was danger and boogeyman out there but I didn’t have a vocabulary for it, so even as an adult I have a hard time coming up with that vocabulary, but I don’t have a hard time coming up with a visual vocabulary to describe it. And by allowing them to come to surface from my subconscious, it kind of allows me to embrace them in a different way as an adult and kind of be playful with them and be grateful that I had such a vivid imagination from the way we lived and grew up. I lived in the heart of fairy tales. We traveled in Bavaria and the Black Forest was around there, and the birthplace of Hansel and Gretel. And all of these kinds of bizarre folktales that we grew up with that were basically cautionary tales to children to mind their moms, but it was kind of a wonderful place.”</p>

<p>--</p>

<p>There are a few ways to find Diane&#39;s art in person: she&#39;ll be at Art on the Creeks in Rogers, Arkansas on Sept. 29; she&#39;ll have some work in the Fiber Arts Show on Nov. 2, and at the Gallery 26 Holiday Show. She also has a booth at South Main Creative.</p><p>Special Guest: Diane Harper.</p>]]>
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    <![CDATA[<p>Harper’s parents met while her father, Hal, was stationed overseas--her mother was French. They became a military family, with Harper the middle child of three. “I was a sick kid a lot and I grew up overseas in the military,” said Harper. “Just past toddler age in Berlin, when the Berlin wall was up, and things were pretty heated for the Cold War at the time. And I think my boogeyman was born in Berlin. Everything had barbed wire. There were armed guards everywhere, and so it was just kind of a terrifying place through a five-year-old’s eyes, but you don’t really have the vocabulary to deal with that. And then to be a sick kid in a military hospital with mostly adults around you, not a children’s hospital. It was kind of an unfriendly place. And there were noises at night and things like that, and my father was a police officer. so I knew there was danger and boogeyman out there but I didn’t have a vocabulary for it, so even as an adult I have a hard time coming up with that vocabulary, but I don’t have a hard time coming up with a visual vocabulary to describe it. And by allowing them to come to surface from my subconscious, it kind of allows me to embrace them in a different way as an adult and kind of be playful with them and be grateful that I had such a vivid imagination from the way we lived and grew up. I lived in the heart of fairy tales. We traveled in Bavaria and the Black Forest was around there, and the birthplace of Hansel and Gretel. And all of these kinds of bizarre folktales that we grew up with that were basically cautionary tales to children to mind their moms, but it was kind of a wonderful place.”</p>

<p>--</p>

<p>There are a few ways to find Diane&#39;s art in person: she&#39;ll be at Art on the Creeks in Rogers, Arkansas on Sept. 29; she&#39;ll have some work in the Fiber Arts Show on Nov. 2, and at the Gallery 26 Holiday Show. She also has a booth at South Main Creative.</p><p>Special Guest: Diane Harper.</p>]]>
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