web02.fireside.fm Wed, 22 Apr 2026 19:47:36 -0500 Fireside (https://fireside.fm) Sustaining Craft - Episodes Tagged with “Pencil” https://sustainingcraft.fireside.fm/tags/pencil Thu, 15 Nov 2018 00:15:00 -0500 Sustaining Craft started in 2016, when Elizabeth Silverstein, a writer, found herself discouraged after a move and a divorce. To find a little encouragement for herself and others, she decided to talk to people building businesses in creative fields. en-us episodic The stories of those making a living with their art, craft, or passion. Elizabeth Silverstein Sustaining Craft started in 2016, when Elizabeth Silverstein, a writer, found herself discouraged after a move and a divorce. To find a little encouragement for herself and others, she decided to talk to people building businesses in creative fields. no craft, art, small business, local business, creative business, stories, storytelling, content, marketing, business stories, creative, art business, craft business, passion, passion business, painting, writing, drawing, henna, woodworking, animals, opera, singing, music, welding, metal work, books, novels, flowers, floral arrangement, photography, photos, nonprofit Elizabeth Silverstein hello@hewandweld.com Episode 15: Robert Bean: Reading a Painting Through Visual Vocabulary https://sustainingcraft.fireside.fm/15 dbab0c77-f562-4bb4-a67a-cc22460dc115 Thu, 15 Nov 2018 00:15:00 -0500 Elizabeth Silverstein full Elizabeth Silverstein Robert Bean first realized he could build a career with art when he was eight years old, reading stacks of comics books with friends. Bean continued to practice his craft as a visual storyteller, and after a detour on the way to earning his degree, he started showing his work and curating shows. Now, he keeps his art at the center of all that he does. 36:31 no Robert Bean found himself stuck between needing a job that didn’t involve his craft, wanting to spend time with friends, and still being able to practice his art. “I have to practice, I have to draw, I have to create,” Bean said. “At the same time, I don’t want my life to be nothing but, I go to work, and then I come home and go to work. … I got creative and I said, ‘Well, what would happen if my friends were going out to dinner, or we’re going out to grab a beer or something--what happens I just take a sketch book with me?’ And so I started drawing on site. I started going out with friends and I would take a sketchbook and I would sketch while we were out. I do that all the time now.” Bean turned the idea into a class at the Arkansas Arts Center, Urban Sketchbook, where he also serves as the Painting & Drawing Department Chair of the Museum School. “I encourage my students, if you’re sitting around in the doctor’s office, take a sketchbook,” Bean advised. “Draw in the waiting room. If you’re sitting at the DMV, draw while you’re sitting there. Waiting for your car to get fixed, sketch. You can find the time to sketch. You can find the time to keep those drawing skills alive because we have a lot more dead time in our days than we realize. It’s the idea of developing those kinds of disciplines that eventually roll around into making money. Because as soon as you start to create enough, as soon as you start to draw enough, you build body of work. Once you build that body of work, then you can show it. It took me ten years of figuring things out. I do look back at that period in my twenties and go, what if I had that mentor when I was 21 years old that would come in and say, ‘You’ve got to do this and this and this’? Maybe I would have started to make money earlier, but I was in my late twenties before I started making money somewhat consistently with my work." -- Get more of Robert's work: Gallery 26 - http://www.gallery26.com/ Instagram - https://www.instagram.com/rbfineart/ Facebook - https://www.facebook.com/RBFineArt Website - http://www.rbfineart.com/ -- Sustaining Craft is a project of Hew&Weld Writing. There are no fees for artists and crafts people to participate. Everything is funded through Hew&Weld and partnerships with friends: Joshua Kurtz, Morgan Allain (The Inkling Girl), Jim Ciago (Seven Second Chance & Nomad Neighbors), and Local. Magazine. Find more from Hew&Weld: - Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news. - Instagram, Facebook, Twitter: @hewandweld - Sustaining Craft is also on Instagram: @sustainingcraft Special Guest: Robert Bean. fine art, visual storytelling, art, arkansas, little rock, art stories, art career Robert Bean found himself stuck between needing a job that didn’t involve his craft, wanting to spend time with friends, and still being able to practice his art. “I have to practice, I have to draw, I have to create,” Bean said. “At the same time, I don’t want my life to be nothing but, I go to work, and then I come home and go to work. … I got creative and I said, ‘Well, what would happen if my friends were going out to dinner, or we’re going out to grab a beer or something--what happens I just take a sketch book with me?’ And so I started drawing on site. I started going out with friends and I would take a sketchbook and I would sketch while we were out. I do that all the time now.”

Bean turned the idea into a class at the Arkansas Arts Center, Urban Sketchbook, where he also serves as the Painting & Drawing Department Chair of the Museum School. “I encourage my students, if you’re sitting around in the doctor’s office, take a sketchbook,” Bean advised. “Draw in the waiting room. If you’re sitting at the DMV, draw while you’re sitting there. Waiting for your car to get fixed, sketch. You can find the time to sketch. You can find the time to keep those drawing skills alive because we have a lot more dead time in our days than we realize. It’s the idea of developing those kinds of disciplines that eventually roll around into making money. Because as soon as you start to create enough, as soon as you start to draw enough, you build body of work. Once you build that body of work, then you can show it. It took me ten years of figuring things out. I do look back at that period in my twenties and go, what if I had that mentor when I was 21 years old that would come in and say, ‘You’ve got to do this and this and this’? Maybe I would have started to make money earlier, but I was in my late twenties before I started making money somewhat consistently with my work."

--

Get more of Robert's work:
Gallery 26 - http://www.gallery26.com/
Instagram - https://www.instagram.com/rbfineart/
Facebook - https://www.facebook.com/RBFineArt
Website - http://www.rbfineart.com/

--

Sustaining Craft is a project of Hew&Weld Writing. There are no fees for artists and crafts people to participate. Everything is funded through Hew&Weld and partnerships with friends: Joshua Kurtz, Morgan Allain (The Inkling Girl), Jim Ciago (Seven Second Chance & Nomad Neighbors), and Local. Magazine.

Find more from Hew&Weld:

  • Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
  • Instagram, Facebook, Twitter: @hewandweld
  • Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Robert Bean.

]]> Robert Bean found himself stuck between needing a job that didn’t involve his craft, wanting to spend time with friends, and still being able to practice his art. “I have to practice, I have to draw, I have to create,” Bean said. “At the same time, I don’t want my life to be nothing but, I go to work, and then I come home and go to work. … I got creative and I said, ‘Well, what would happen if my friends were going out to dinner, or we’re going out to grab a beer or something--what happens I just take a sketch book with me?’ And so I started drawing on site. I started going out with friends and I would take a sketchbook and I would sketch while we were out. I do that all the time now.”

Bean turned the idea into a class at the Arkansas Arts Center, Urban Sketchbook, where he also serves as the Painting & Drawing Department Chair of the Museum School. “I encourage my students, if you’re sitting around in the doctor’s office, take a sketchbook,” Bean advised. “Draw in the waiting room. If you’re sitting at the DMV, draw while you’re sitting there. Waiting for your car to get fixed, sketch. You can find the time to sketch. You can find the time to keep those drawing skills alive because we have a lot more dead time in our days than we realize. It’s the idea of developing those kinds of disciplines that eventually roll around into making money. Because as soon as you start to create enough, as soon as you start to draw enough, you build body of work. Once you build that body of work, then you can show it. It took me ten years of figuring things out. I do look back at that period in my twenties and go, what if I had that mentor when I was 21 years old that would come in and say, ‘You’ve got to do this and this and this’? Maybe I would have started to make money earlier, but I was in my late twenties before I started making money somewhat consistently with my work."

--

Get more of Robert's work:
Gallery 26 - http://www.gallery26.com/
Instagram - https://www.instagram.com/rbfineart/
Facebook - https://www.facebook.com/RBFineArt
Website - http://www.rbfineart.com/

--

Sustaining Craft is a project of Hew&Weld Writing. There are no fees for artists and crafts people to participate. Everything is funded through Hew&Weld and partnerships with friends: Joshua Kurtz, Morgan Allain (The Inkling Girl), Jim Ciago (Seven Second Chance & Nomad Neighbors), and Local. Magazine.

Find more from Hew&Weld:

  • Each episode of Sustaining Craft comes with a companion article, which can be found at hewandweld.com/news.
  • Instagram, Facebook, Twitter: @hewandweld
  • Sustaining Craft is also on Instagram: @sustainingcraft

Special Guest: Robert Bean.

]]>